Assemble a video slideshow continued…


Step 2—Lay down the music track

Create and save a new project in your video editing program. Import music into your project. Choose music that is appropriate to the images, historically and emotionally. Consult my music timeline to help you pick music that fits your time period.

EDIT TO THE BEAT:  All music has a beat. Listen to a song and tap your foot. It will naturally tap to the beat of the music. You can also see the beat in the waveform on the timeline. Zoom in on the timeline so you can see the waveform more easily. The pattern usually peaks (is widest) on the beat. These will be your insertion points for laying photos on the timeline.

You can also choose edit points at the beginning of a music phrase. A music phrase is a small chunk of a song that has a distinct and often repeated pattern. It’s usually 3-4 measures long. (See image:  Music phrase bracketed on timeline)

Analyze about 10 seconds of the music to determine how much time passes from one beat to the next. An image should be displayed on the screen for at least 2 seconds, most often 4-6 seconds.

If your program allows you to put markers, insert a marker at the beat point on the timeline. This will give a visual guideline for where to insert your images.

(See image: Green marker circled above timeline, Music phrase bracketed on timeline

waveform 1

       Two track audio waveform

AUDIO TRANSITIONS:  You will probably use more than one song. Where 2 songs join, apply an audio cross dissolve. To do this manually, overlap the two songs (requires 4 audio tracks) and ramp song 1 down to 0 dB while ramping song 2 up from 0 dB.

AVOID OVERSATURATION:  Monitor the audio with a waveform monitor, if you have it, to ensure the music isn’t oversaturated. Oversaturated music (too loud) has a warped sound. Turn the decibels down with the editing program. Turning your speakers down will have no effect on the recorded audio.


Step 3—Add images to timeline

Follow your storyboard plan to lay the images and text inserts onto the video track. Be flexible, however, and let the music guide you as you edit.

Insert an image at an edit point and trim it so that it ends at the next designated edit point. Because music is performed with expression, the length of time between beats or phrases varies a little. It may be that your insertion point will be every other beat or so.

timeline

    Video edit timeline   Note: video transition in red oval and edit markers in red rectangle

VIDEO TRANSITIONS:  Choose one transition use it throughout the sequence. Cross dissolve is the most universal transition, especially for slow music. Most programs default at a 1 second dissolve. Extend the dissolve time to 2 seconds for a smoother transition. You may not want to add a transition effect to images lain over fast-paced music. The abrupt image changes is very effective in this case.

Add titles and subtitles, fade the music and final image down at the end, normalize, and print to DVD, CD, or the web.


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