Movie on the timeline: Edit cuts, trim & rhythm


Good video editing is seamless.

Keep the audio even and focal point smooth-flowing.

A video timeline is a way of visualizing your family history video layout. It has video and audio tracks measured horizontally in frames. Video is a series of still images, played at a speed fast enough to give the illusion of motion. Each still image is called a frame. A clip is a selected group of contiguous frames that relate to each other.


Types of media for video editing

Video editors include other types of media besides video in their programs—photographs, illustrations, text graphics, special effects, voiceover narratives, music, and sound effects. Import any of these types of media into your video editing software and put them all on the timeline in much the same way as the video. For example, a photo has duration, in seconds, on the timeline.


Edit cuts

Where clips come together on the timeline are called cuts. Your job as an editor is to keep the focal point flowing smoothly from cut to cut so that the cuts become invisible. Find the focal point on the last frame of a shot. Hold a pencil up to the monitor, pointing to the focal point. Without moving the pencil, go to the first frame of the next shot. The focal point of the new frame should be where the pencil is pointing.

Match cut is when 2 shots of the same scene, taken from different angles and composition, are joined so that the action flows from one shot to the next. Adds interest and detail to your movie.

Cut on motion will cover up imperfect shot matchups, so try to cut when the subject is in motion.

Jump cut occurs when the shots you’re putting together are from different angles, but the angles are too similar. It almost looks like the camera got bumped. Avoid these by making your angle changes by 45%.

Split edits (L-cut/J-cut) are when the audio of the next video clip begins under the video of the preceding clip. Can also be the reverse—audio continues under the video of the next clip. It gives your movie continuity. An effective way to transition from one scene to another.

split edit


Trimming clips

Video editing programs allow you to trim frames off the beginning or end of a video clip, either before or after you put it on the timeline. This allows you to fit clips together so they match and flow.

You will have to occasionally calculate the duration of a video clip down to the frame. Let’s say, you want to fill a 10-second musical phrase with 3 clips of equal length. Just divide 10 seconds by 3 so you know how long each clip should be, but, to calculate that, you need to know your video frame-rate (frames per second—fps).

        NTSC:  30 fps (actually 29.97)

        PAL & SECAM:  25 fps

Each clip would be NTSC 3:10 (that’s 3 seconds and 10 frames) or Pal/SECAM 2 clips of 3:08 and 1 of 3:09.


 Editing rhythm

Whether or not you add music to your video, it should have rhythm. You do that with the length, type of shots, color, and story pace. Shots should be 2 – 10 seconds long, with a variety of medium, medium close-up, and close-up shots.

Match the rhythm and tempo to the story—for example, a series of short clips with an exciting fast-paced story or long clips with a sad story. Establish a pattern and repeat it throughout the sequence. The next story in your family history video may have a different rhythm.

When inserting photos, choose clip timeline duration according to the amount of information in each photo. For example, a large group shot will require more time to view than an individual. Incorporate those differences into your rhythm.


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Copyright September 2009 Family History Coach   All rights reserved   Last update April 27, 2010

 

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